Posted inMarketing

The five E’s of fan engagement in music marketing (guest column)

This is a guest post by Sandra Croft (Artist & Promotions Representative, UK & EU) and Henriette Heimdal (Market Development, UK & EU), of CD Baby. This is their five-point strategy for “transforming audiences into fans” – to go from “initial awareness to lifetime advocacy around artist brands in a hyper-competitive world. These qualities aspire to forget lasting bonds with your audience by serving your fans first before asking them to serve your artist brand.”

Note: there’s more high-level advice on making stand-out artist brands in a hyper-competitive world in our recent Global Experts panel.

1) ENTICE: meet audiences in their places and spaces, rather than asking them to make the first entry into your artist brand.

Before inviting new audiences to tune into your music, you first demonstrate real interest in tuning into their lives, joining contemporary conversations or adding something of high social or entertainment value. Entice your fans into your world by understanding the necessity of first stepping into theirs.

Posted inNews

Martin Goldschmidt: ‘Why I have come round to the user-centric model’ (guest column)

User-centric payouts has been bubbling on the fringes of the music industry for years as an issue. The first time I took it seriously was at an industry board meeting last year – no names! – where we got two presentations on the topic.

The big question everyone in the room wanted answered, including me, was: would we earn more money under the user-centric payment model?

One presentation used Spotify data, and showed that the overall streaming pie remained the same – obvious – and that the indies’ slice might be slightly less. Not surprisingly, the interest in the model was not great after this.

Then Deezer did a presentation, which also showed that the pie would be the same, and which suggested that we indies would earn about the same. But they made two other points that took a while to sink in.

Posted inNews

Chrysalis co-founder Chris Wright: ‘Is streaming the future of the music industry?’

This guest column comes from Chris Wright, co-founder of the Chrysalis Music Group:

Music streaming has changed everything. It’s changed what the record labels release, how they release it and how they market it.

Just as sales of CDs and the hardware that plays them went into decline, streaming came to the rescue. Now, for most record labels, it’s become almost the most important source of revenue.

Posted inNews

Royal Blood, Samsung and lessons from 360-degree livestreaming

This guest column comes from Ian Baverstock, managing director of Focal Point VR:

Focal Point VR recently provided the live streaming technology for a product launch; a major brand showcasing a fast rising band at an exclusive event in North London with a VIP and competition winner audience.

Nothing very new in there so far, despite the quality of the product and the band. The innovation here was that the event – the UK launch of the Samsung S8 smartphone, with Royal Blood performing – was streamed live and in high quality 360-degree video.

Posted inAnalysis

Blockchain: the music industry’s saviour or a false prophet?

This guest column comes from Sam Pearse, partner at Pillsbury Law:

At any point in time, there is a latest and greatest new product, technique, form of exercise, diet and so on that will be the answer to all of our problems.

Sometimes that revolutionary thing is not completely understood, but everyone plays along out of fear of appearing to be the idiot in the room. Among today’s hot topics is blockchain, which is hailed as having the capability to put lawyers out of business and revive the music industry.

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