Our Insight Reports are published four times a year, and each is a deep-dive into the music and tech sectors that modern professionals need to be on top of: in-depth DSP analyses; a global focus edition; our essential music-tech startup guides; and our famous Marketing Campaigns of the Year report.
– Money money money: future artist investment
– Trendwatch: digital disputes
– The game-ification of life with Tim Chang
– Country profile: Ireland
– Comment: Martin Rigby of Psonar
– Flatline: are ad-funded streams killing MP3?
– Doing it for charidee
– Live from Music 4.5
– Spain: Europe’s toughest digital challenge
– SoundExchange: tracking down due royalties
– App attack! Can Apple be toppled?
– Mobile World Congress Focus
– Digital publishing: special report
– Country profile: Chile
– Comment: Dilettante on user generated classical
– On demand on trial: where next for ad-funded music
– Trendwatch: fan-remix platforms
– Mobile music heads for the cloud
– Market profile: France
– Comment: Lee Henshaw on cost per engagement ads
– Three Strikes, but at what cost?
– Music gadgets on show at CES
The US: a Spotify survival guide
MidemNet Lab: 15 of the best start-ups
Comment: The CD is ‘frozen’ says MPX4
– Video thrills the industry stars
– Trendwatch: who’ll get bought in 2010?
– From metrics to empirical
– Market profile: Norway
– Brad Josling: Contextualised music
Our lead examines 2009’s raise of Spotify and Padora services and the debate around the economics behind them.
Our lead looks at the new business model behind free music platforms.
Our lead examines new music services from Google, Facebook and MySpace. These three companies are offering more ways for people to discover music in a legal way – i) search, ii) gifting and iii) social recommendations.
Our lead examines Nokia’s Comes With Music unlimited download service performance from its launch to explain why it has not took off as expected.
Our lead examines questions about Spotify’s model and long-term from its rivals.
Our lead examines dramatic changes going on in the industry: from unit-based puchashing to volume restrictions?
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